Right now, I hear here and there different actors complain of changes in the market for Aboriginal art. Some gallery owners consider it reached its apogee with the gradual disappearance of the great masters and a young generation that is slow or runs out of steam in a second swing.
In a mercantile logic, they are even considering closing their Department of Aboriginal art.
There is no denying that a certain gloom prevails because of the financial crisis, yesterday and today social economy.
Tax reforms under way in Australia also put a strain investments into works of art, made under the pension plans. Inspired amateurs and collectors can enjoy their time tables to await the time of retirement. A subtle economic undoubtedly contradicts the common idea that one can not have your cake and eat it: in other words the fruits of his pension should be available before the "keel".
Others invoke the right on to emphasize how a good idea has many pitfalls. By offering 5% of the table to the painter or his descendants, at each sale of a work, prices are immediately brought to the slow rise and market dynamics.
All these considerations Economic leave me quite perplexed.
Indeed if one is looking for exceptional paintings, this is still the cross and the banner to identify and acquire. Waiting lists for most artists in views remain topical. The large canvases keep their fans and show strong prices undemocratic.
short, in my view Aboriginal art is not in crisis but it matures.
This kind of stability that covers the market prevents the occurrence of unscrupulous speculators. Let
artists thrive, offering quality fabrics fair price, and that the real lovers, not sensitive to the potential benefits, but the true flavor of eternity that lies behind each of these paintings.
I said some time ago with a PhD in Aboriginal art, these artists made me much more than their paintings. With great modesty, they give us their eyes to observe their world, our universe, with a different bold approach, the tone of a forgotten music in a sort of cross-fertility of crops.
few winks in the footsteps of a collection. Early balbuciements to greater discoveries. Nomadic peoples, the Aborigines contemporary paintings ... 
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